Katrina kaif ek tha tiger
Ek Tha Tiger is one of the worst screenplays of the year. They exchange a quick frown and behave as if nothing happened, because they are after all united in their defeat against a moony couple on the run. Both have been planning elaborate attacks on each other’s teams. For reality, imagine this: a gun-toting RAW agent is face-to-face with a gun-toting ISI agent. The loopholes in the screenplay are unforgivable.
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Situations are thrown in for convenience, pushing the story along to facilitate the next action sequence. The RAW, the ISI, a government officer’s protocol, the basic processes in which governance and nations function-these are irrelevant realities in this story. The writing is the film’s biggest undoing. Neelesh Mishra and Kabir Khan turns Chopra’s story of Ek Tha Tiger into a screenplay. Like Karnad, the writers don’t give him much to work with. Shorey is Gopi, Tiger’s colleague and friend, who exists only to accentuate Tiger’s invincibility. Karnad’s role is a caricature, and throughout the film, the mismatch between the actor and the film’s high-pitched tone and dialogues are sorely obvious. She is a boring actor with staple expressions Zoya, despite the perfunctory mystery in the character, does not transcend the routine Barbie she has always been. Kaif has almost as much to do as her co-star, but there is no novelty to this performance. Even so, by the end of the film, you won’t see anything different from what you’ve seen of him before. It’s an improvement on the plastic testosterone he has been in recent movies, over and over again.
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Khan has some endearing moments in the first hour of the film. You have seen these hues, these frames and cuts numerous times before. In terms of technique, while Ek Tha Tiger looks cosmetically expensive, there is no surprise or ingenuity. Ireland, strangely, is about Scottish costumes and bagpipes. A puff of frozen smoke against an azure blue sky for Havana, for example. Every location has a postcard introduction. But in visualization too, clichés and misrepresentations abound. In scale and depth, Aseem Mishra’s cinematography has some flourishes. There are two slick action sequences in Ek Tha Tiger, but those are also artificially heightened by the banal tool used in every Bollywood action film-the repeated slow motion frame. And while on a secret mission, he falls in love with Zoya (Katrina Kaif). Salman Khan is a tiger, a world-roving spy, and an Indian Intelligence officer. The message of this boring saga is Indo-Pak peace. The rest of the film is a multi-location, humdrum journey of the man and the woman where they are caught in predictable situations, out of which they escape predictably. Despite repeated warnings from Tiger’s associate played by Ranbir Shorey not to fall in love, the big man can’t help but be smitten. In Ireland, Tiger meets Zoya or Zee, a dance choreographer by profession and caretaker of the professor’s home. The next mission takes him to Ireland, to a professor (Roshan Seth) who is under the scanner because he is known to be an advisory nuclear scientist for the enemy, Pakistan. “Someone always gets killed in your missions," his boss (the RAW head played by Girish Karnad) reminds him every time he meets Tiger. A RAW officer who cooks a mean daal lives in a small, sparse government apartment in Delhi, is addicted to these missions.
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The slow-motion, whistle-begging entry of Khan is accompanied by a barrage of gunshots and a poorly orchestrated chase sequence. It begins with Tiger (Khan), conducting a mission in northern Iraq. The story by Aditya Chopra is based on a secret investigation.